Introduction to the Shroud of Turin
The Shroud of Turin is believed by many to have been used to inter
Jesus Christ. It is made of linen, is essentially rectangular (4.3 by
1.1 meter) and bears the front and back images of a human body. It is
named Shroud of Turin since it is currently (2010) kept in
Turin, that is Torino, a city in the North of Italy, not very far from
France. You can
see the cathedral of Turin via this webcam. The Shroud is securely
stored in the cathedral, in a protective sealed reliquary, fully
unrolled on a flat surface. The reliquary is filled with an inactive
gas to reduce oxidation of the linen of the Shroud. The Shroud itself is not
visible to visitors although a copy can be seen near the reliquary.
The linen cloth is a fine rare weave: a 3-1 herringbone. Its average thickness is less than half a millimeter, around 0.25 mm. It is shown only on rare occasions, most recently in 1998 (celebrating the 100 years anniversary of the first photography of the Shroud), 2000 (the new millennium), and in the Spring of 2010. HistoryThe history of the Shroud is complex and we will only make a cursory exposition of it. Note: The whereabouts of the Shroud before 1357 is not known with very strong certainty. Some would simply say that the Shroud did not exist before the 13th century, which, of course, would imply that the actual Turin Shroud is not authentic. But there are multiple evidences that the Shroud existed before 1357. Some of the following statements about the history of the Shroud, prior to 1357, are considered controversial. The most obscure periods are the first three centuries and the years 1204 to 1356. For almost a thousand years, the Shroud appears to have been kept in the city of Edessa, now known as Şanliurfa in Turkey, near the Syrian boarder. The Shroud would have been the Image of Edessa. It was publicly shown only from the sixth century, although it is very unlikely that it was shown completely unfolded showing the entire images. It is probably the case that only the reliquary containing the Image of Edessa was shown to the public. In 944, it was transfered to Constantinople, Turkey (known as Istanbul since 1930). Byzantine Emperors most likely used the Shroud in many of their ceremonies and as a true representation of Christ for their icons, coins, paintings, and other artistic renditions. It was last seen, in the Eastern world, in Constantinople in 1203, before its reappearance in Lirey, France in 1357. In 1203, Robert de Clari, a Knight of the Fourth Crusade, reported to have seen a public display, in Constantinople, of a shroud similar to the Turin Shroud. This would be coherent with the many statements, made after 1204, that the French Crusaders had "stolen" the Shroud during or after the 1204 sack of Constantinople. The Shroud makes its entry in the Western world in France. We have
strong historical records of its existence in 1357 at Lirey, France, a
small city near Paris. For example, a medallion reproducing the Shroud
was found in 1855 in the Seine river (see A Souvenir From Lirey). The
medallion clearly represents the Turin Shroud and it holds the
ecussons of the houses of Charny and Jeanne de Vergy (14th
century). This is corroborated with a report from the same period
that a shroud of Christ was on display at Lirey in 1357.
But how did the Shroud arrived in Lirey, France?
Historians have proposed three different scenarios for the transfer
of the Shroud from Constantinople to France, its next well documented
location.
In 1453, Marguerite de Charny, daughter of Geoffroy II de Charny, gave the Shroud to the Duke Louis de Savoie, in Chambéry, France, in exchange of a small fief. This fief will actually turned out to be worthless for Marguerite de Charny. The Duke had a church built to house the Shroud in Chambéry. It was also shown in many small cities in France until it was brought to Turin in 1578 by the Duke of Savoy, where it is still located today. In 1983, the Shroud was given to the head of the Roman Catholic Church, the Pope. The Shroud was never in America or in the far Eastern World. A lengthy introduction to the Shroud of Turin can be found at Wikipedia, Shroud of Turin. You can even study the series of editing that took place between believers and non-believers of the authenticity of the Shroud.
I invite the reader to read a short paper written by the professional
photographer Aldo Guerreschi at
The Turin Shroud: from
the photo to the three-dimensional. In this paper, Aldo presents a personal
experience of examining the Turin Shroud after the 1997 fire. I think
that this personal introduction to the Shroud will give you a
sense of the exceptional image inscribed on it. I quote
from this paper:
While photography has the advantage of fixing an image in time and of concentrating it so that whichever angle you look at it from it remains the same, with the Shroud itself that is not the case. |